film+storyboard



lot bigger than the person against the wall and you can see that the person has something in his pocket, this making the audiences think what he has.
 * Ward** - This shot from ground level; you can see the killer foot pointing towards the person leaning against the wall. The foot looks a

sum of money from the other guy. This again makes the audience think what is buying. One of them is wearing a hoodie to cover up, this shows that he doesn’t want to be recognized and is doing something that could be illegal.
 * Ward** - This shot is from below looking up toward the two guys. The man that was leaning against the wall is now receiving a large

two guys and now the audience knows that something will happen that could result to death. This increases the suspense a lot more.
 * Ward -** This shot is from above showing the gun being giving to the gun giving the money before, you can only see the hands of the

- on the left-side and the wire on the right-side focuses the audience on both the killer and where he is going.
 * Jay** - This is a full-body shot of the killer after he buys the gun. A small part of the gun is exposed in his left hand. The wall

where you can just see the side of a table and chair. The door has a sign on it so it could be an important room, which is making the audience think who is he and why is there.
 * Ward** - This photo is a semi full body shot just cutting of his legs at the end. The person in the shot is opening a door to a room

This shot does make the audience think where is the guy who got the gun, is he going to come and kill him. This makes the suspense increase again.
 * Ward** - This is a medium shot and it’s the guy again sitting down, what looks like doing some work and is very focused on the book.

mood, and also adds significance and an amount of tension to the photo. It is also a Tarantino-esque "black and white when violence occurs" kind of edit. The edges of the photo is also slightly faded, which directs the audiences' attention to the killer even more.
 * Jay**- This is a medium shot of the killer walking through the door. The photo is black and white, which I think captures the

which shows the vulnerability of the subject. The background is kept as simple as possible, as the clear and distinct lines of the chair and the table do nothing to distract the audience.
 * Jay** - The victim is confused. The composition of the photo again puts the subject in clear focus. This is a high-angle shot,

This is a low-angle shot, from the victim's point of view, and it clearly shows that the killer is "superior" and stands over the victim. The killer's black hoodie also implies the "darkness" of the character. The background is again kept as simple as possible and nothing distracts the viewer from the killer and his gun.
 * Jay** - Again, black and white is used. The gun barrel takes up 1/3 of the photo, which indicates the tension in the situation.



brought in to kill him. The shot is a close up on his head and shoulders; the victim is still confused because he doesn’t understand why he is wet. Now the audience is relieved from the suspense think that it was just a water pistol.
 * Ward** - The victim has his it eyes close and now has a wet hoodie and wet face. The water had come from the gun that the killer had



The killer's sense of "evilness" is gone, together with his sense of authority. The killer's confused expression gives the audience a clear idea that this wasn't his joke. The background is as bare as possible, with the pipe running down the wall being the only significant object. This pipe points directly down to the killer.
 * Jay** - Unlike the other shots with the killer and the gun, this shot is both NOT black and white and is shot from a high angle.